Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Stéphane Mallarmé
John Gould Fletcher
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
In the hushed apartment at 89 rue de Rome in Paris, amid the blue cigarette smoke of Tuesday evenings, a soft-spoken schoolteacher held court over the most revolutionary minds in French literature. Stéphane Mallarmé, a man who published fewer than seventy poems in his lifetime, would become one of the most influential figures in modern poetry, transforming language itself into a cathedral of suggestion and silence. H…
“Everything in the world exists to culminate in a book.”
In the pantheon of American poetry, few figures embody the restless spirit of early twentieth-century modernism quite like John Gould Fletcher. Born into the genteel society of Little Rock, Arkansas, on January 3, 1886, Fletcher would traverse continents and literary movements, ultimately crafting a body of work that bridged the gap between traditional American verse and the revolutionary experiments of European mode…
“Poetry merely descriptive of nature, however vivid, no longer seems enough for me, there has to be added to it, the human judgement, the human evaluation.”
About 7,484 km separate Paris, Île-de-France, France from Little Rock, Arkansas, USA. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Stéphane Mallarmé: paris, symbolists, surrealists, l'azur, hérodiade, l'après-midi d'un faune, claude debussy, mardis. John Gould Fletcher: little rock, arkansas river valley, ezra pound, imagist movement, irradiations: sand and spray, blue symphony, goblins and pagodas, the tree of life.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Stéphane Mallarmé: Sorrow, Spirituality, Longing. John Gould Fletcher: Sorrow, Longing, Despair.
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