Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Catherine Pozzi
Sadakichi Hartmann
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Catherine Marthe Louise Pozzi remains one of the most enigmatic and haunting figures in French poetry, a writer who distilled an entire spiritual autobiography into just six extraordinary poems while living a life marked by privilege, passion, illness, and relentless intellectual pursuit. Born on July 13, 1882, into the glittering aristocratic and bourgeois milieu of fin-de-siècle Paris, and dying on December 3, 1934…
“Je ne veux pas être heureuse, je veux être entière.”
Carl Sadakichi Hartmann was born on 8 November 1867 on the artificial island of Dejima in Nagasaki Harbor, a narrow strip of land that for generations had been Japan’s only window onto the West. His father, Carl Herman Oskar Hartmann, was a Prussian merchant trading in that tightly regulated enclave; his mother, Osada, was Japanese and died within months of the boy’s birth, leaving him with a wound he never stopped p…
“I have always endorsed Heine's defense of plagiarism, that it is permissible to steal entire columns and porticoes from a temple, providing the new edifice one erects with their aid is great enough.”
About 9,561 km separate Paris, Île-de-France, France from Dejima, Nagasaki, Japan. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Catherine Pozzi: fin-de-siècle paris, samuel jean pozzi, tuberculosis, paul valéry, scopolamine, ave, vale, agnès. Sadakichi Hartmann: dejima, nagasaki harbor, walt whitman, whitman society, christ: a dramatic poem, buddha, confucius, mohammed.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Catherine Pozzi: Longing, Sorrow, Despair. Sadakichi Hartmann: Wonder, Tenderness, Longing.
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