Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
In the early decades of the twentieth century, when American poetry was undergoing one of its most dramatic transformations, a young man of Irish heritage was crafting verses that sought to bridge the ancient traditions of Celtic literature with the modern sensibilities of his adopted homeland. Shaemas O'Sheel, born James Shields in New York City on January 12, 1886, would become one of the more intriguing yet ultima…
Neighbourhood:
American Poets, Imagist Poets, Irish Poets, Modernist Poets, Political Poets
In the sunlit streets of late-19th-century Chicago, where the Great Lakes breezes carried the promise of industry and the distant echoes of Southern migrations, Fenton Johnson entered the world on May 7, 1888. He would leave it on September 17, 1958, in the same city that had cradled his ambitions and tested his spirit, his seventy years a testament to the restless genius of an artist who refused to be confined by th…
Neighbourhood:
African American Poets, American Poets, Harlem Renaissance, Modernist Poets, Political Poets, Social Justice Poets
They overlapped for 67 years (1888–1954).
When Fenton Johnson was born, Shaemas O'Sheel was about 2.
Fenton Johnson was about 66 when Shaemas O'Sheel died.
Shaemas O'Sheel:
new york city, irish heritage, they went forth to battle, but they always fell, jealous of dead leaves, irish literary revival, w.b. yeats, harriet monroe, socialism.
Fenton Johnson:
chicago, harlem renaissance, elijah johnson, jesse taylor johnson, a little dreaming, visions of the dusk, songs of the soil, tired.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.