Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Adelaide Crapsey
Gerald Gould
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
In the autumn of 1914, as the Great War began tearing Europe apart, a young American poet lay dying in a sanatorium in Saranac Lake, New York. Adelaide Crapsey was only thirty-six years old, and though she had published little during her lifetime, she had invented a new poetic form that would outlive her by generations. The cinquain, her creation, distilled the essence of imagist poetry into five crystalline lines, e…
“Nothing at all serious.”
In the landscape of early twentieth-century English poetry, Gerald Gould occupies a curious position—too well-known to have been forgotten entirely, yet too overlooked to claim his rightful place in the literary canon. Born in Scarborough, Yorkshire in 1885 and raised in Norwich, Gould lived through one of the most tumultuous periods in British history, a time when the certainties of the Victorian age gave way to the…
“Instinct, as Falstaff said, is a great matter; but it is not the whole.”
About 5,213 km separate Saranac Lake, New York, USA from Scarborough, England. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Adelaide Crapsey: saranac lake, cinquain, imagist poetry, algernon sidney crapsey, vassar college, smith college, november night, the warning. Gerald Gould: norwich, barbara ayrton, georgian poet, lyrics, an essay on the nature of lyric, united suffragists, men's league for women's suffrage, the happy tree and other poems.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Adelaide Crapsey: Sorrow, Despair, Wonder. Gerald Gould: Longing, Wonder, Spirituality.
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