A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Anna Hempstead Branch Anna Hempstead Branch

Poet B

Anne Bradstreet Anne Bradstreet
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Kindred spirits
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 75% Poems 79% Blended 77%
Swap sides Another related pair
Anna Hempstead Branch

Anna Hempstead Branch

18 March 1875 – 8 September 1937 (~62)
2 live poems · English

On March 18, 1875, in the historic Hempstead House in New London, Connecticut, Anna Hempstead Branch was born into a world of deep New England roots and literary tradition. The younger of two children, she arrived into a family where words mattered, where literature breathed through the rooms of an ancestral home that had sheltered Hempsteads since 1640. Her father, John Locke Branch, practiced law with quiet distinc…

Neighbourhood: American Poets, Death & Mortality, Devotional Poets, Edwardian Poets, Hymn Writers, Nature Poets, Women Poets
Emotional landscape: Fear, Despair, Wonder
Anne Bradstreet

Anne Bradstreet

1612 – 16 September 1672 (~60)
5 live poems · English

Anne Bradstreet was born Anne Dudley in 1612 in Northampton, England, into a family unusually well positioned to cultivate both religious seriousness and intellectual ambition. Her precise birth date is uncertain, though she was baptized on March 20, 1612. She entered the world during the reign of James I, in an England defined by political conflict, religious controversy, expanding trade, and the vigorous literary a…

“Authority without wisdom is like a heavy axe without an edge, fitter to bruise than polish.”

Neighbourhood: American Poets, Colonial American Poets, Devotional Poets, Restoration Poets, Women Poets
Emotional landscape: Longing, Spirituality, Sorrow

In time

Anna Hempstead Branch
Anne Bradstreet
1612 1937
Their lives did not overlap. 203 years separate the earlier death from the later birth.

On the map

About 5,262 km separate New London, Connecticut, USA from Northumbria, England. Shared ground: United States, United Kingdom.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

No overlapping top terms in the poem critiques — any kinship may sit in mood rather than vocabulary.

From the biographies

women

Anna Hempstead Branch: new london, connecticut, john locke branch, mary lydia bolles branch, the road 'twixt heaven and hell, heart of the road, the shoes that danced, rose of the wind. Anne Bradstreet: northampton, puritan, the tenth muse, simon bradstreet, the prologue, john winthrop, emmanuel college, the four monarchies.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

The world around them

Emotional landscapes

Anna Hempstead Branch: Fear, Despair, Wonder. Anne Bradstreet: Longing, Spirituality, Sorrow.

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