A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Thomas Moore Thomas Moore

Poet B

Robert Burns Robert Burns
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Kindred spirits
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 72% Poems 89% Blended 80%
Swap sides Another related pair
Thomas Moore

Thomas Moore

28 May 1779 – 25 February 1852 (~73)
31 live poems · English

Thomas Moore, born in Dublin on 28 May 1779 and dead at Sloperton Cottage, Wiltshire, on 25 February 1852, occupied an unusual and influential place in the literary culture of the nineteenth century. He was at once a poet, lyricist, singer, editor, biographer, satirist, traveller, social performer, and public Irishman in an age when Irish identity could be politically dangerous, commercially useful, emotionally charg…

“Patience must first explore the depths where the pearl lies hid, before Genius boldly dives and brings it up full into light.”

Neighbourhood: Folk & Ballad Poets, Hymn Writers, Irish Poets, Love Poets, Poet-Musicians, Political Poets
Emotional landscape: Longing, Tenderness, Sorrow
Robert Burns

Robert Burns

25 January 1759 – 21 July 1796 (~37)
33 live poems · English

Robert Burns was born on 25 January 1759 in the parish of Alloway, near Ayr, in southwestern Scotland, and died in Dumfries on 21 July 1796. In the relatively brief span of thirty-seven years, he became Scotland’s best-loved poet, a major maker and remaker of song, an incisive satirist, and an emblem of democratic fellow feeling. His reputation has sometimes obscured the complicated human being beneath it. Burns was…

“The following trifles are the production of a simple, untutored Muse, with which I amused myself.”

Neighbourhood: Folk & Ballad Poets, Poet-Musicians, Political Poets, Scottish Poets
Emotional landscape: Tenderness, Longing, Joy

In time

Thomas Moore
Robert Burns
1759 1852
They overlapped for 18 years (1779–1796). When Thomas Moore was born, Robert Burns was about 20. Thomas Moore was about 17 when Robert Burns died.

On the map

About 255 km separate Dublin, Ireland from Alloway, Ayrshire, Scotland. Shared ground: United Kingdom.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

From the biographies

social songs

Thomas Moore: sloperton cottage, irish melodies, the minstrel boy, the last rose of summer, believe me, if all those endearing young charms, trinity college dublin, samuel whyte, prince of wales. Robert Burns: alloway, dumfries, william burnes, jean armour, the twa dogs, to a mouse, the holy fair, kilmarnock edition.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

Believe Me, If All Those Endearing Young Charms
Thomas Moore
82% love, beloved, beauty
Compare
A Red, Red Rose
Robert Burns
Peace be around thee
Thomas Moore
82% life, peace
Compare
Thou whom chance may hither lead
Robert Burns
Do not say that life is waning
Thomas Moore
82% beloved, love, life, beauty
Compare
A Red, Red Rose
Robert Burns
Then, fare thee well (Old English Air)
Thomas Moore
81% love, grief
Compare
Had I a cave
Robert Burns
Fare thee well, thou lovely one!
Thomas Moore
81% love, beauty, life
Compare
A Red, Red Rose
Robert Burns

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Thomas Moore: Longing, Tenderness, Sorrow. Robert Burns: Tenderness, Longing, Joy.

Compare their emotional landscapes
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