Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Vachel Lindsay
Witter Bynner
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Vachel Lindsay, born Nicholas Vachel Lindsay on November 10, 1879, in Springfield, Illinois, and dead by his own hand on December 5, 1931, in the same Midwestern city, lived a life as dramatic and rhythmically charged as the poems he declaimed on lecture platforms and village greens across America. Often called the “Prairie Troubadour” or the “singing poet,” he sought nothing less than a rebirth of poetry as an oral,…
“The art of poetry is the art of making the commonplace uncommon.”
Harold Witter Bynner, who published almost always as Witter Bynner and was known to friends as “Hal,” was born on 10 August 1881 in Brooklyn, New York, and died on 1 June 1968 in Santa Fe, New Mexico. His long career carried him through several distinct literary eras: the cultivated, metrically formal verse of the early twentieth century; the disruptions and provocations of modernism; the American enthusiasm for Asia…
“I detect in it something that he does not specify: a reason for the continuance of poetry as a live factor among his people.”
About 1,334 km separate Springfield, Illinois, USA from Brooklyn, New York, USA. Shared ground: United States.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
No overlapping top terms in the poem critiques — any kinship may sit in mood rather than vocabulary.
Vachel Lindsay: springfield illinois, prairie troubadour, higher vaudeville, general william booth enters into heaven, the congo, harriet monroe, rhythmic poetry, walking journeys. Witter Bynner: brooklyn, santa fe, harvard university, young harvard, grenstone poems, spectrism, emanuel morgan, kiang kang-hu.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Vachel Lindsay: Spirituality, Sorrow, Wonder. Witter Bynner: Wonder, Longing, Spirituality.
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