A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Vachel Lindsay Vachel Lindsay

Poet B

Wilfred Owen Wilfred Owen
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Strongly related
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 60% Poems 82% Blended 70%
Swap sides Another related pair
Vachel Lindsay

Vachel Lindsay

10 November 1879 – 5 December 1931 (~52)
3 live poems · English

Vachel Lindsay, born Nicholas Vachel Lindsay on November 10, 1879, in Springfield, Illinois, and dead by his own hand on December 5, 1931, in the same Midwestern city, lived a life as dramatic and rhythmically charged as the poems he declaimed on lecture platforms and village greens across America. Often called the “Prairie Troubadour” or the “singing poet,” he sought nothing less than a rebirth of poetry as an oral,…

“The art of poetry is the art of making the commonplace uncommon.”

Neighbourhood: American Poets, Edwardian Poets, Modernist Poets, Poet-Musicians
Emotional landscape: Spirituality, Sorrow, Wonder
Wilfred Owen

Wilfred Owen

18 March 1893 – 4 November 1918 (~25)
20 live poems · English

Wilfred Edward Salter Owen was born on 18 March 1893 at Plas Wilmot, a house near Oswestry in Shropshire, on the borderland between England and Wales. He was the eldest of four children of Thomas Owen and Susan Shaw Owen; his siblings were Mary, Harold, and Colin. The family’s circumstances were respectable but precarious. Thomas had once been employed as a railway stationmaster, and Susan came from a family with str…

“Suffer dishonour and disgrace, but never resort to arms. Be bullied, be outraged, be killed; but do not kill.”

Neighbourhood: Death & Mortality, Edwardian Poets, Political Poets, War Poets
Emotional landscape: Sorrow, Despair, Irony

In time

Vachel Lindsay
Wilfred Owen
1879 1931
They overlapped for 26 years (1893–1918). When Wilfred Owen was born, Vachel Lindsay was about 14. Vachel Lindsay was about 39 when Wilfred Owen died.

On the map

About 6,389 km separate Springfield, Illinois, USA from Oswestry, Shropshire, England. Different countries, different weather — unless a poem carries one landscape into the other.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

No overlapping top terms in the poem critiques — any kinship may sit in mood rather than vocabulary.

From the biographies

Vachel Lindsay: springfield illinois, prairie troubadour, higher vaudeville, general william booth enters into heaven, the congo, harriet monroe, rhythmic poetry, walking journeys. Wilfred Owen: oswestry, shropshire, siegfried sassoon, dulce et decorum est, anthem for doomed youth, futility, strange meeting, disabled.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

The Flower-Fed Buffaloes
Vachel Lindsay
76% world
Compare
Elegy in April and September
Wilfred Owen
The Flower-Fed Buffaloes
Vachel Lindsay
75%
Compare
Anthem for Doomed Youth
Wilfred Owen
I Went Down Into the Desert
Vachel Lindsay
75%
Compare
The End
Wilfred Owen
The Flower-Fed Buffaloes
Vachel Lindsay
74% world
Compare
The Send-Off
Wilfred Owen
I Went Down Into the Desert
Vachel Lindsay
73% spiritual
Compare
Apologia pro Poemate Meo
Wilfred Owen
The Flower-Fed Buffaloes
Vachel Lindsay
72% world
Compare
The End
Wilfred Owen

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Vachel Lindsay: Spirituality, Sorrow, Wonder. Wilfred Owen: Sorrow, Despair, Irony.

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