Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Louis Untermeyer
Elinor Wylie
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
In the sprawling landscape of twentieth-century American letters, few figures cast as long or as peculiar a shadow as Louis Untermeyer. Born on October 1, 1885, in New York City, and dying ninety-two years later on December 18, 1977, in Newtown, Connecticut, Untermeyer occupied a unique position in American cultural life. He was not primarily remembered as a great poet himself, though he published volumes of verse. H…
“The poet is not a man who says things, but one who makes things happen.”
Elinor Wylie, born Elinor Morton Hoyt on 7 September 1885 in Somerville, New Jersey, belonged to an American generation that inherited Victorian social codes yet came of age amid modernism, women’s expanding public ambitions, war, cosmopolitan travel, and changing ideas of artistic freedom. She would become known as one of the most distinctive lyric poets of the 1920s: a writer of polished, compressed, often formally…
“I think the juvenilia superior to the rest.”
About 53 km separate New York City, New York, USA from Somerville, New Jersey, USA. Both have ground in New York City and New York.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Louis Untermeyer: new york city, newtown, connecticut, modern american poetry, harriet monroe, ezra pound, t.s. eliot, carl sandburg, robert frost. Elinor Wylie: somerville, new jersey, nets to catch the wind, velvet shoes, wild peaches, black armour, horace wylie, philip hichborn.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Louis Untermeyer: Despair, Sorrow, Longing. Elinor Wylie: Wonder, Irony, Joy.
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