A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Michael Bruce Michael Bruce

Poet B

James Beattie James Beattie
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Strongly related
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 75% Blended 75%
Swap sides Another related pair
Michael Bruce

Michael Bruce

27 March 1746 – 5 July 1767 (~21)
1 live poem · English

Michael Bruce was born on 27 March 1746 at Kinnesswood, a small village in the parish of Portmoak, Kinross-shire, Scotland, on the eastern shore of Loch Leven. His name has long been associated with the image of the gifted rural poet, cut down before maturity and remembered through a body of work shadowed by disputed authorship. That image contains a real pathos, but it can also obscure the particular circumstances o…

Neighbourhood: Love Poets, Nature Poets, Romantic Poets, Scottish Poets
Emotional landscape: Longing, Sorrow, Despair
James Beattie

James Beattie

25 October 1735 – 18 August 1803 (~68)
2 live poems · English

James Beattie, born on 25 October 1735 and dead on 18 August 1803, occupied an unusual and revealing place in eighteenth-century British culture. He was at once a Scottish professor, a poet of landscape and sensibility, a popular moral philosopher, a Christian apologist, a music lover, a man of sociable ambition, and a bereaved father whose final years were darkened by illness and loss. In his own lifetime he was fam…

“In every age, and in every man, there is something to praise, as well as something to blame.”

Neighbourhood: Enlightenment Poets, Georgian Poets, Nature Poets, Scottish Poets
Emotional landscape: Sorrow, Tenderness, Spirituality

In time

Michael Bruce
James Beattie
1735 1803
They overlapped for 22 years (1746–1767). When Michael Bruce was born, James Beattie was about 11. James Beattie was about 32 when Michael Bruce died.

On the map

About 88 km separate Kinross, Scotland from Laurencekirk, Kincardineshire, Scotland. Both have ground in Alba / Scotland.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

No overlapping top terms in the poem critiques — any kinship may sit in mood rather than vocabulary.

From the biographies

scottish enlightenment rural scottish eighteenth

Michael Bruce: kinnesswood, lochs, john logan, poems on several occasions, ode to the cuckoo, elegy written in spring, scottish enlightenment, presbyterian culture. James Beattie: laurencekirk, kincardineshire, the minstrel, original poems and translations, an essay on the nature and immutability of truth, samuel johnson, thomas gray, robert arbuthnot.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

Lochleven No More
Michael Bruce
76%
Compare
An Epitaph
James Beattie
Lochleven No More
Michael Bruce
75%
Compare
The Hermit
James Beattie

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Michael Bruce: Longing, Sorrow, Despair. James Beattie: Sorrow, Tenderness, Spirituality.

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