Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Ronald Ross
Charles Williams
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
On a sweltering August evening in 1897, in a ramshackle laboratory in Secunderabad, India, a British army surgeon made a discovery that would save millions of lives. After dissecting his twentieth mosquito of the day, Ronald Ross finally observed what he had been seeking for years: the malarial parasite nestled within the insect's gut. That night, exhausted but exultant, he composed a poem celebrating his breakthroug…
“The mosquito is the most dangerous animal in the world.”
On a crisp September morning in 1886, in the shabby-genteel precincts of Holloway, North London, Charles Walter Stansby Williams entered a world that would never quite know what to make of him. The only son of Richard Walter Stansby Williams and Mary Wall, young Charles was born into circumstances that trembled on the edge of respectability. His father, a journalist and foreign business correspondent who wrote in Fre…
“All great art creates, as it were, its own stillness about it, but by the nature of its subject the Bible does more.”
About 6,773 km separate Almora, Uttarakhand, India from Islington, London, England. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Ronald Ross: secunderabad, nobel prize, malaria transmission, in exile, ronald campbell, rosa bessie bloxam, the child of ocean, patrick manson. Charles Williams: st albans, oxford university, florence conway, c.s. lewis, t.s. eliot, the silver stair, war in heaven, descent into hell.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Ronald Ross: Wonder, Irony, Spirituality. Charles Williams: Tenderness, Longing, Joy.
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