A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Edward Shanks Edward Shanks

Poet B

Wilfrid Scawen Blunt Wilfrid Scawen Blunt
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Strongly related
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 69% Poems 80% Blended 74%
Swap sides Another related pair
Edward Shanks

Edward Shanks

11 June 1892 – 4 May 1953 (~61)
2 live poems · English

On a summer day in June 1892, in the bustling heart of London, Edward Richard Buxton Shanks entered a world on the cusp of profound transformation. Born on June 11th into a comfortable middle-class family, the infant who would become one of the first recipients of Britain's most prestigious literary honor could hardly have imagined the tumultuous century that awaited him. His life would span two world wars, witness t…

Neighbourhood: Edwardian Poets, Georgian Poets, Modernist Poets
Emotional landscape: Longing, Sorrow, Wonder
Wilfrid Scawen Blunt

Wilfrid Scawen Blunt

17 August 1840 – 10 September 1922 (~82)
9 live poems · English

Wilfrid Scawen Blunt, born on 17 August 1840 at Petworth in Sussex and dead on 10 September 1922 at Newbuildings Place, his Sussex home, lived a life unusually crowded with contradiction. He was an English gentleman who became one of Victorian Britain’s most persistent critics of empire; a formal, often old-fashioned poet who sought to make verse answer political injustice; a diplomat who abandoned official service i…

“The country districts are still quite untouched by our Western ugliness.”

Neighbourhood: Irish Poets, Mystical & Spiritual Poets, Political Poets, Social Justice Poets, Victorian Poets
Emotional landscape: Sorrow, Despair, Longing

In time

Edward Shanks
Wilfrid Scawen Blunt
1840 1953
They overlapped for 31 years (1892–1922). When Edward Shanks was born, Wilfrid Scawen Blunt was about 52. Edward Shanks was about 30 when Wilfrid Scawen Blunt died.

On the map

About 67 km separate London, England from Petworth House, Sussex, England. Shared ground: United Kingdom.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

From the biographies

britain

Edward Shanks: london, trinity college, georgian poetry movement, edward marsh, the queen of china, hawthornden prize, the old indispensables, the people of the ruins. Wilfrid Scawen Blunt: petworth, newbuildings place, lady anne blunt, the bedouin tribes of the euphrates, a pilgrimage to nejd, crabbet park, arabian horse breeding, stonyhurst college.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

Continuity
Edward Shanks
81% death, world, life
Compare
He Laments that His Love is Dead
Wilfrid Scawen Blunt
A Lonely Place
Edward Shanks
73% world
Compare
He Laments that His Love is Dead
Wilfrid Scawen Blunt
Continuity
Edward Shanks
73%
Compare
O fly not, Pleasure
Wilfrid Scawen Blunt
Continuity
Edward Shanks
70% life
Compare
The Grief of Love
Wilfrid Scawen Blunt
Continuity
Edward Shanks
70% life
Compare
Love is Best
Wilfrid Scawen Blunt
A Lonely Place
Edward Shanks
70%
Compare
O fly not, Pleasure
Wilfrid Scawen Blunt

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Edward Shanks: Longing, Sorrow, Wonder. Wilfrid Scawen Blunt: Sorrow, Despair, Longing.

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