Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Yone Noguchi
Siegfried Sassoon
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
In the annals of literary history, few figures occupy as singular a position as Yone Noguchi, a Japanese poet who dared to write primarily in English during an era when such a choice seemed almost inconceivable. Born Yonejiro Noguchi on December 8, 1875, in the coastal town of Tsushima near Nagoya, Japan, he would become a pioneering voice in cross-cultural literature, a man who walked between East and West with rema…
“The noisy time has slipped away even gracefully at Kyoto.”
Siegfried Loraine Sassoon was born on 8 September 1886 at Weirleigh, a house near the village of Matfield in Kent, and died on 1 September 1967 at Heytesbury House in Wiltshire, a week before his eighty-first birthday. He remains one of the defining literary witnesses of the First World War: a poet whose plain speech, anger, technical control, and mordant irony broke through the patriotic consolations of his age. Yet…
“I believe the war is being deliberately prolonged by those who have the power to end it.”
About 9,515 km separate Tsushima, Aichi, Japan from Matfield, Kent, England. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Yone Noguchi: tsushima, nagoya, keio university, joaquin miller, seen and unseen, the american diary of a japanese girl, from the eastern sea, the pilgrimage. Siegfried Sassoon: matfield, heytesbury house, first world war, robert graves, the daffodil murderer, the old huntsman, counter-attack and other poems, military cross.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Yone Noguchi: Wonder, Spirituality, Tenderness. Siegfried Sassoon: Sorrow, Despair, Irony.
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