Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
John Dryden
Edmund Spenser
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
In the pantheon of English literature, few figures loom as large or cast as long a shadow as John Dryden. Born on August 9, 1631, in the village of Aldwincle All Saints in Northamptonshire, England, and dying on May 12, 1700, in London, Dryden lived through one of the most turbulent periods in British history. His lifetime spanned the English Civil War, the execution of Charles I, the Interregnum under Oliver Cromwel…
“Delight is the chief, if not the only, end of poesy.”
Edmund Spenser, born about 1552 and dead on 13 January 1599, was the most ambitious English poet of the later Elizabethan age and one of the chief architects of the English literary canon. His achievement rests above all on The Faerie Queene, the vast unfinished romance-epic through which he attempted to give Protestant England a national mythology, a moral education, and a poetic language equal to those of classical…
“The general end therefore of all the book is to fashion a gentleman or noble person in virtuous and gentle discipline.”
About 100 km separate Aldwincle All Saints, Northamptonshire, England from London, England. Both have ground in London.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
John Dryden: aldwincle all saints, northamptonshire, heroique stanzas, astraea redux, the wild gallant, the indian queen, the indian emperour, marriage a-la-mode. Edmund Spenser: the faerie queene, london, geoffrey chaucer, robert dudley, sir philip sidney, the shepheardes calender, colonial ireland, kilcolman castle.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
John Dryden: Longing, Tenderness, Sensuality. Edmund Spenser: Wonder, Spirituality, Tenderness.
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