Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Orrick Glenday Johns occupies a curious and fascinating position in American literary history. He was neither fully absorbed into the canon of the great modernists nor forgotten entirely by literary historians. Instead, he stands at the threshold between the nineteenth-century poetic tradition and the restless experimentation of the early twentieth century. His life and work reflect a moment of transition in American…
Neighbourhood:
American Poets, Imagist Poets, Modernist Poets, Political Poets, Social Justice Poets
Sarah Doudney was born on 15 January 1841 in Portsea, Hampshire, at a time when the crowded naval and commercial communities around Portsmouth were expanding alongside Victorian Britain’s confidence in trade, empire, religion, and print. She was the daughter of a soap and candle manufacturer, and the practical details of that background matter. Although later summaries have sometimes simplified it into a “working-cla…
Neighbourhood:
Devotional Poets, Hymn Writers, Victorian Poets, Women Poets
About 6,199 km separate
Sturgis, Michigan, USA from
Portsea, Hampshire, England.
Different countries, different weather — unless a poem carries one landscape into the other.
Orrick Johns:
sturgis, michigan, asphalt and other poems, university of michigan, romantic tradition, lyric sensitivity, modern urban life, philosophical reflection, nineteenth-century tradition.
Sarah Doudney:
portsea, hampshire, the lesson of the water-mill, the christian's good-night, the sunday magazine, good words, the quiver, victorian literature.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.