A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Orrick Johns Orrick Johns

Poet B

George Marion McClellan George Marion McClellan
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Strongly related
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 67% Poems 80% Blended 73%
Swap sides Another related pair
Orrick Johns

Orrick Johns

2 June 1887 – 8 July 1946 (~59)
2 live poems · English

Orrick Glenday Johns occupies a curious and fascinating position in American literary history. He was neither fully absorbed into the canon of the great modernists nor forgotten entirely by literary historians. Instead, he stands at the threshold between the nineteenth-century poetic tradition and the restless experimentation of the early twentieth century. His life and work reflect a moment of transition in American…

Neighbourhood: American Poets, Imagist Poets, Modernist Poets, Political Poets, Social Justice Poets
Emotional landscape: Sorrow, Despair, Irony
George Marion McClellan

George Marion McClellan

29 September 1860 – 17 May 1934 (~74)
4 live poems · English

George Marion McClellan was born on 29 September 1860 near Belfast, Tennessee, and died on 17 May 1934. His lifetime stretched from the final year of slavery in the United States through the Civil War, Reconstruction, the consolidation of Jim Crow segregation, the Great Migration, and the Harlem Renaissance. To read his poetry only as the work of a minor late-Victorian versifier would be to miss the extraordinary his…

“The writer must be skillful, then, to write uncompromisingly and yet not be of the impudent.”

Neighbourhood: African American Poets, American Poets, Death & Mortality, Harlem Renaissance, Nature Poets, Social Justice Poets
Emotional landscape: Longing, Sorrow, Tenderness

In time

Orrick Johns
George Marion McClellan
1860 1946
They overlapped for 48 years (1887–1934). When Orrick Johns was born, George Marion McClellan was about 27. Orrick Johns was about 47 when George Marion McClellan died.

On the map

About 710 km separate Sturgis, Michigan, USA from Belfast, Tennessee, USA. Shared ground: United States.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

From the biographies

Orrick Johns: sturgis, michigan, asphalt and other poems, university of michigan, romantic tradition, lyric sensitivity, modern urban life, philosophical reflection, nineteenth-century tradition. George Marion McClellan: belfast, tennessee, fisk university, hartford theological seminary, paul laurence dunbar, james weldon johnson, poems, the path of dreams, harlem renaissance.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

The Mad Woman
Orrick Johns
69% life
Compare
Resentment
George Marion McClellan
The Mad Woman
Orrick Johns
68% freedom
Compare
A Butterfly in Church
George Marion McClellan
The Mad Woman
Orrick Johns
68% world
Compare
In the Heart of a Rose
George Marion McClellan
The Mad Woman
Orrick Johns
67%
Compare
Sustaining Hope
George Marion McClellan
Politicians
Orrick Johns
67%
Compare
Resentment
George Marion McClellan
Politicians
Orrick Johns
65%
Compare
A Butterfly in Church
George Marion McClellan

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Orrick Johns: Sorrow, Despair, Irony. George Marion McClellan: Longing, Sorrow, Tenderness.

Skip to main content