Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Orrick Glenday Johns occupies a curious and fascinating position in American literary history. He was neither fully absorbed into the canon of the great modernists nor forgotten entirely by literary historians. Instead, he stands at the threshold between the nineteenth-century poetic tradition and the restless experimentation of the early twentieth century. His life and work reflect a moment of transition in American…
Neighbourhood:
American Poets, Imagist Poets, Modernist Poets, Political Poets, Social Justice Poets
Marsden Hartley stands as one of the most fascinating yet often overlooked figures in American modernism—a man who moved between painting and poetry with equal fervor, whose work captured the raw, untamed spirit of early twentieth-century artistic experimentation. Though primarily remembered as a visual artist, Hartley's literary output reveals a sensibility equally attuned to the power of words as to the force of co…
“The loneliest place in the world is the human heart.”
Neighbourhood:
American Poets, Decadent Poets, LGBTQ+ Poets, Modernist Poets
They overlapped for 57 years (1887–1943).
When Orrick Johns was born, Marsden Hartley was about 10.
Orrick Johns was about 56 when Marsden Hartley died.
Orrick Johns:
sturgis, michigan, asphalt and other poems, university of michigan, romantic tradition, lyric sensitivity, modern urban life, philosophical reflection, nineteenth-century tradition.
Marsden Hartley:
lewiston, maine, cleveland school of art, william merritt chase, alfred stieglitz, war motif series, karl von freyburg, twenty-five poems, androscoggin.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.