A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Sir John Suckling Sir John Suckling

Poet B

John Fletcher John Fletcher
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Strongly related
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 60% Poems 80% Blended 69%
Swap sides Another related pair
Sir John Suckling

Sir John Suckling

10 February 1609 – 1642 (~33)
2 live poems · English

Sir John Suckling stands as one of the most vivid and enigmatic figures of the seventeenth century, a man whose life was lived with the same flamboyant intensity that characterized his verse. Born in 1609 and dying under mysterious circumstances in 1642, Suckling's brief thirty-three years encapsulate the glittering excess and underlying tragedy of the Caroline era. He is remembered today as the quintessential Cavali…

“Horseley air did excel the waters of the Bath, just so much as love is a more noble disease than the pox.”

Neighbourhood: Cavalier Poets, Light Verse Poets, Love Poets, Metaphysical Poets
Emotional landscape: Irony, Longing, Sorrow
John Fletcher

John Fletcher

20 December 1579 – 29 August 1625 (~46)
2 live poems · English

John Fletcher, baptized on 20 December 1579 and buried on 29 August 1625, was one of the most successful, inventive, and influential dramatists of England’s Jacobean age. Though he is now less familiar to general readers than William Shakespeare, Ben Jonson, or Christopher Marlowe, Fletcher was for generations among the most frequently performed writers in the English language. In the decades after his death, audienc…

“Thus much I hope will serve to justify my poem, and make you understand it; to teach you more for nothing, I do not know that I am in conscience bound.”

Neighbourhood: Dramatic Poets, Elizabethan Poets, Love Poets, Renaissance Poets
Emotional landscape: Sorrow, Peace, Despair

In time

Sir John Suckling
John Fletcher
1579 1642
They overlapped for 17 years (1609–1625). When Sir John Suckling was born, John Fletcher was about 30. Sir John Suckling was about 16 when John Fletcher died.

On the map

About 87 km separate Whitton, Middlesex, England from Wittersham, Kent, England. Both have ground in London.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

From the biographies

ben jonson king

Sir John Suckling: whitton, cavalier poet, king charles i, fragmenta aurea, trinity college cambridge, gray's inn, first bishops' war, the ballad of a wedding. John Fletcher: rye, sussex, francis beaumont, the faithful shepherdess, philaster, the maid's tragedy, a king and no king, tragicomedy.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

Why so pale and wan, fond lover
Sir John Suckling
75%
Compare
Weep no more
John Fletcher
Why so pale and wan, fond lover
Sir John Suckling
74%
Compare
Melancholy
John Fletcher
Love and Debt Alike Troublesome
Sir John Suckling
70% life
Compare
Melancholy
John Fletcher
Love and Debt Alike Troublesome
Sir John Suckling
69%
Compare
Weep no more
John Fletcher

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Sir John Suckling: Irony, Longing, Sorrow. John Fletcher: Sorrow, Peace, Despair.

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