Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
William Hughes Mearns
John Masefield
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
William Hughes Mearns entered the world on September 28, 1875, in the bustling streets of Philadelphia, Pennsylvania, the son of James H. Mearns and Lelia Cora Evans. From his very first breaths in that vibrant Quaker City, young William—soon to be known simply as Hughes Mearns—seemed destined to bridge the realms of imagination and instruction. He would grow into a man who taught the world not merely how to write, b…
“Poetry is when you talk to yourself.”
John Edward Masefield was born on 1 June 1878 in Ledbury, Herefordshire, a market town on the borderlands of England and Wales, and died on 12 May 1967 at Abingdon, then in Berkshire. During his long life he became one of Britain’s most recognizable poets: a writer of sailors, fields, foxhunts, village sinners, mythic heroes, children’s dreams, national ceremonies, and private grief. He was also a novelist, playwrigh…
“The days that make us happy make us wise.”
About 5,529 km separate Camden, New Jersey, USA from Ledbury, Herefordshire, England. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
William Hughes Mearns: philadelphia, bearsville, the pedagogue, harvard university, john dewey, creative youth, u.s. army medical corps, the little man who wasn't there. John Masefield: ledbury, herefordshire, hms conway, salt-water ballads, sea fever, the everlasting mercy, constance de la cherois crommelin, the tragedy of pompey the great.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
William Hughes Mearns: Irony, Wonder, Fear. John Masefield: Longing, Sorrow, Wonder.
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