Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Louis Untermeyer
Archibald MacLeish
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
In the sprawling landscape of twentieth-century American letters, few figures cast as long or as peculiar a shadow as Louis Untermeyer. Born on October 1, 1885, in New York City, and dying ninety-two years later on December 18, 1977, in Newtown, Connecticut, Untermeyer occupied a unique position in American cultural life. He was not primarily remembered as a great poet himself, though he published volumes of verse. H…
“The poet is not a man who says things, but one who makes things happen.”
In the pantheon of twentieth-century American letters, few figures embodied as many contradictions and reconciliations as Archibald MacLeish. Born on May 7, 1892, in Glencoe, Illinois, and dying on April 20, 1982, in Boston, Massachusetts, MacLeish lived through nearly the entire span of the American century, bearing witness to two world wars, the Great Depression, the atomic age, and the cultural revolutions that re…
“What is freedom? Freedom is the right to choose: the right to create for oneself the alternatives of choice.”
About 1,156 km separate New York City, New York, USA from Glencoe, Illinois, USA. Shared ground: United States.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Louis Untermeyer: new york city, newtown, connecticut, modern american poetry, harriet monroe, ezra pound, t.s. eliot, carl sandburg, robert frost. Archibald MacLeish: glencoe, illinois, harvard law school, ada hitchcock, the hamlet of a. macleish, conquistador, pulitzer prize, the happy marriage and other poems, the pot of earth.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Louis Untermeyer: Despair, Sorrow, Longing. Archibald MacLeish: Sorrow, Despair, Longing.
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