Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
George Kirbye, who died on 6 October 1634 and was probably born around 1565, belongs to the generation of English composers that brought the madrigal to one of its most graceful and expressive flowering points. He was a contemporary of Thomas Morley, John Wilbye, Thomas Weelkes, and John Bennet: musicians who absorbed Italian models and made them speak with a distinctly English accent. Kirbye was not among the most p…
In the golden twilight of the English Renaissance, when madrigals flourished in the courts and cathedrals of England and Ireland, few composers demonstrated such exquisite taste in wedding poetry to music as Thomas Bateson. Born around 1575 in the rolling countryside of Cheshire, this Anglo-Irish composer would become one of the most significant figures of the late Elizabethan and early Jacobean musical landscape, le…
“Wishing unto your Honour a continual harmony, composed of a comfortable delight of body, goods, and good name, with a daily increase of honour.”
They overlapped for 56 years (1575–1630).
When Thomas Bateson was born, George Kirbye was about 10.
George Kirbye was about 65 when Thomas Bateson died.
George Kirbye:
thomas morley, the first set of english madrigals, the triumphs of oriana, elizabethan madrigal movement, oxford university, who made thee, hob, forsake the plough?, thomas weelkes, pastoral comedy.
Thomas Bateson:
cheshire, anglo-irish, first set of english madrigals, second set of english madrigals, o'rianna's farewell, thomas morley, trinity college dublin, holy, lord god almighty.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.