Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Dorothy Parker
Cecil Frances Alexander
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Dorothy Parker, born Dorothy Rothschild on 22 August 1893 and dead on 7 June 1967, became one of the most recognizable voices of twentieth-century American letters: a poet of compressed heartbreak, a theater and book critic of dangerous precision, a short-story writer of unusual psychological acuity, a screenwriter, and a public political dissenter. For much of her life, she was treated as the emblem of a particular…
“Why, it got so bad that they began to laugh before I opened my mouth.”
Cecil Frances Alexander, born Cecil Frances Humphreys on 14 April 1818 and dead on 12 October 1895, became one of the most widely sung and influential hymn writers of the nineteenth century. Her name may be less immediately familiar than the opening lines of her best-known hymns, yet “Once in Royal David’s City,” “All Things Bright and Beautiful,” “There Is a Green Hill Far Away,” and “Jesus Calls Us o’er the Tumult”…
“I have not attempted to write down to the children, but to write up to them.”
About 5,145 km separate West End, New Jersey, USA from Dublin, Ireland. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Dorothy Parker: manhattan, algonquin hotel, jazz age, edwin pond parker ii, enough rope, sunset gun, death and taxes, vanity fair. Cecil Frances Alexander: anglo-irish protestant, william alexander, once in royal david's city, all things bright and beautiful, there is a green hill far away, jesus calls us o’er the tumult, hymns for little children, verses for holy seasons.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Dorothy Parker: Irony, Sorrow, Despair. Cecil Frances Alexander: Spirituality, Wonder, Joy.
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