Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Dorothy Parker
James Elroy Flecker
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Dorothy Parker, born Dorothy Rothschild on 22 August 1893 and dead on 7 June 1967, became one of the most recognizable voices of twentieth-century American letters: a poet of compressed heartbreak, a theater and book critic of dangerous precision, a short-story writer of unusual psychological acuity, a screenwriter, and a public political dissenter. For much of her life, she was treated as the emblem of a particular…
“Souls get lost so easily. I used to be forever leaving mine in taxicabs.”
The story of James Elroy Flecker is one of brilliant promise cut tragically short, of a poet who sought to recapture the lush exoticism and sensuous beauty of the Romantics in an age growing increasingly modernist and austere. Born Herman Elroy Flecker on November 5, 1884, in Lewisham, London, he would live only thirty years before tuberculosis claimed him, yet in that brief span he created a body of work that contin…
“The Parnassian school was a classical reaction against the sentimentalism of the Romantics.”
About 5,608 km separate West End, New Jersey, USA from Deptford, London, England. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
No overlapping top terms in the poem critiques — any kinship may sit in mood rather than vocabulary.
Dorothy Parker: manhattan, algonquin hotel, jazz age, edwin pond parker ii, enough rope, sunset gun, death and taxes, vanity fair. James Elroy Flecker: lewisham, tuberculosis, the bridge of fire, thirty-six poems, the golden journey to samarkand, hassan, hellé skiadaressi, parnassian.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Dorothy Parker: Irony, Sorrow, Despair. James Elroy Flecker: Longing, Sorrow, Wonder.
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