Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Dorothy Parker
James Joyce
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Dorothy Parker, born Dorothy Rothschild on 22 August 1893 and dead on 7 June 1967, became one of the most recognizable voices of twentieth-century American letters: a poet of compressed heartbreak, a theater and book critic of dangerous precision, a short-story writer of unusual psychological acuity, a screenwriter, and a public political dissenter. For much of her life, she was treated as the emblem of a particular…
“Salary is no object; I want only enough to keep body and soul apart.”
James Augustine Aloysius Joyce was born on 2 February 1882 at 41 Brighton Square, Rathgar, then a prosperous southern suburb of Dublin, and died on 13 January 1941 in Zürich, Switzerland. He is most often called a novelist, and rightly so: Dubliners, A Portrait of the Artist as a Young Man, Ulysses, and Finnegans Wake altered the possibilities of prose fiction. Yet Joyce was also a poet, a singer, a critic, a dramati…
“No self-respecting person wants to stay in Ireland. Instead he will run from it, as if from a country that has been subjected to a visitation by an angry Jove.”
About 5,145 km separate West End, New Jersey, USA from Dublin, Ireland. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Dorothy Parker: manhattan, algonquin hotel, jazz age, edwin pond parker ii, enough rope, sunset gun, death and taxes, vanity fair. James Joyce: nora barnacle, ulysses, dubliners, finnegans wake, a portrait of the artist as a young man, jesuit education, bloomsday, trieste.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Dorothy Parker: Irony, Sorrow, Despair. James Joyce: Longing, Tenderness, Wonder.
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