Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
E. E. Cummings
William Hughes Mearns
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
In the sun-dappled streets of Cambridge, Massachusetts, on October 14, 1894, Edward Estlin Cummings entered the world with a quiet promise of rebellion that would one day shatter the conventions of American poetry. Known to family and friends simply as Estlin, and to the world as E.E. Cummings—or, in the lowercase stylings that publishers later adopted for his name—he would become one of the twentieth century’s most…
“Never take anyone's word for anything.”
William Hughes Mearns entered the world on September 28, 1875, in the bustling streets of Philadelphia, Pennsylvania, the son of James H. Mearns and Lelia Cora Evans. From his very first breaths in that vibrant Quaker City, young William—soon to be known simply as Hughes Mearns—seemed destined to bridge the realms of imagination and instruction. He would grow into a man who taught the world not merely how to write, b…
“The standardized curricular education requires results each day, each week, surely each month, with an accumulated measurable outcome at the end of each semester; creative education thinks in terms of years and even in spans of years.”
About 433 km separate Boston, Massachusetts, USA from Camden, New Jersey, USA. Shared ground: United States.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
E. E. Cummings: cambridge massachusetts, joy farm, the enormous room, william slater brown, eimi, tulips and chimneys, anne minnerly barton, marion morehouse. William Hughes Mearns: philadelphia, bearsville, the pedagogue, harvard university, john dewey, creative youth, u.s. army medical corps, the little man who wasn't there.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
E. E. Cummings: Longing, Tenderness, Sensuality. William Hughes Mearns: Irony, Wonder, Fear.
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