A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Fenton Johnson Fenton Johnson

Poet B

Louis Untermeyer Louis Untermeyer
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Kindred spirits
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 70% Poems 83% Blended 76%
Swap sides Another related pair
Fenton Johnson

Fenton Johnson

7 May 1888 – 17 September 1958 (~70)
2 live poems · English

In the sunlit streets of late-19th-century Chicago, where the Great Lakes breezes carried the promise of industry and the distant echoes of Southern migrations, Fenton Johnson entered the world on May 7, 1888. He would leave it on September 17, 1958, in the same city that had cradled his ambitions and tested his spirit, his seventy years a testament to the restless genius of an artist who refused to be confined by th…

Neighbourhood: African American Poets, American Poets, Harlem Renaissance, Modernist Poets, Political Poets, Social Justice Poets
Emotional landscape: Sorrow, Despair, Peace
Louis Untermeyer

Louis Untermeyer

1 October 1885 – 18 December 1977 (~92)
3 live poems · English

In the sprawling landscape of twentieth-century American letters, few figures cast as long or as peculiar a shadow as Louis Untermeyer. Born on October 1, 1885, in New York City, and dying ninety-two years later on December 18, 1977, in Newtown, Connecticut, Untermeyer occupied a unique position in American cultural life. He was not primarily remembered as a great poet himself, though he published volumes of verse. H…

“The imagination is the instrument of poetry.”

Neighbourhood: American Poets, Light Verse Poets, Modernist Poets, Social Justice Poets
Emotional landscape: Despair, Sorrow, Longing

In time

Fenton Johnson
Louis Untermeyer
1885 1977
They overlapped for 71 years (1888–1958). When Fenton Johnson was born, Louis Untermeyer was about 3. Louis Untermeyer was about 73 when Fenton Johnson died.

On the map

About 1,144 km separate Chicago, Illinois, USA from New York City, New York, USA. Shared ground: United States.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

From the biographies

Fenton Johnson: chicago, harlem renaissance, elijah johnson, jesse taylor johnson, a little dreaming, visions of the dusk, songs of the soil, tired. Louis Untermeyer: new york city, newtown, connecticut, modern american poetry, harriet monroe, ezra pound, t.s. eliot, carl sandburg, robert frost.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

Declaration
Fenton Johnson
73% world, life
Compare
Matter
Louis Untermeyer
Tired
Fenton Johnson
73%
Compare
Caliban in the Coal Mines
Louis Untermeyer
Declaration
Fenton Johnson
72% social
Compare
Implication
Louis Untermeyer
Tired
Fenton Johnson
71%
Compare
Matter
Louis Untermeyer
Declaration
Fenton Johnson
70%
Compare
Caliban in the Coal Mines
Louis Untermeyer
Tired
Fenton Johnson
67%
Compare
Implication
Louis Untermeyer

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Fenton Johnson: Sorrow, Despair, Peace. Louis Untermeyer: Despair, Sorrow, Longing.

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