John Bennet, born probably around 1575 and last securely active in 1614, occupies a distinctive if elusive place in the cultural history of Elizabethan and Jacobean England. He is frequently described as a poet because his finest music is inseparable from the language it sets, but the surviving evidence identifies him principally as a composer: a writer of madrigals and psalm settings whose art depended upon an excep…
Neighbourhood:
Lute-Song Composers, Poet-Musicians, Renaissance Poets
Emotional landscape: Sorrow, Despair, Longing
In the golden twilight of Elizabeth I's reign, when England's cultural confidence soared as high as her naval ambitions, there emerged a composer whose melodies would capture the very essence of Renaissance joy and melancholy. Thomas Morley, born around 1557 in the bustling city of Norwich, would become the architect of England's madrigal tradition and one of the most influential musicians of his generation. His life…
“Most of our churchmen, so they can cry louder in their choir than their fellows, care for no more, whereas by the contrary they ought to study how to vowel and sing clean, expressing their words with devotion and passion.”
Neighbourhood:
Elizabethan Poets, Lute-Song Composers
Emotional landscape: Sensuality, Irony, Joy