A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Thomas Greaves Thomas Greaves

Poet B

John Dowland John Dowland
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Kindred spirits
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 79% Blended 79%
Swap sides Another related pair
Thomas Greaves

Thomas Greaves

c. 1575 – c. 1620 (~45)
1 live poem · English

In the twilight of the Elizabethan era, as the golden age of English poetry shimmered with the final glow of Spenser, Sidney, and Shakespeare, a quieter, more intimate voice emerged from the shadows of courtly patronage and cathedral choirs — that of Thomas Greaves. Though his life remains shrouded in mystery, his music, particularly his songs set to anonymous and likely contemporary poetry, survives as a luminous te…

Neighbourhood: Elizabethan Poets, Lute-Song Composers
Emotional landscape: Wonder, Irony, Longing
John Dowland

John Dowland

c. 1563 – 20 February 1626 (~63)
1 live poem · English

In the twilight of the Renaissance, when the courts of Europe shimmered with velvet and candlelight, and the air hummed with lute strings and whispered sonnets, there walked a man whose music seemed spun from moonlight and sorrow. John Dowland—composer, lutenist, poet of the fretboard—was not merely a musician of his age; he was its emotional cartographer, mapping the contours of longing, loss, and unrequited love wi…

“Semper Dowland semper dolens.”

Neighbourhood: Elizabethan Poets, Lute-Song Composers
Emotional landscape: Despair, Sorrow, Longing

In time

Thomas Greaves
John Dowland
1563 1626
They overlapped for 46 years (1575–1620). When Thomas Greaves was born, John Dowland was about 12. John Dowland was about 57 when Thomas Greaves died.

On the map

About 1 km separate London, England from Westminster, London, England. Both have ground in London.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

No overlapping top terms in the poem critiques — any kinship may sit in mood rather than vocabulary.

From the biographies

songs music lute composer

Thomas Greaves: midlands, southern england, elizabethan era, john dowland, songs of sundrie kindes, sir john molyneux, sir henry willoughby, choirboy. John Dowland: london, paris, christian iv of denmark, first booke of songes or ayres, flow, my tears, lachrimae, a pilgrimes solace, roman catholicism.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

What is beauty
Thomas Greaves
75%
Compare
Flow, my tears
John Dowland

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Thomas Greaves: Wonder, Irony, Longing. John Dowland: Despair, Sorrow, Longing.

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