A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

William Langland William Langland

Poet B

William Barnes William Barnes
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Strongly related
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 71% Blended 71%
Swap sides Another related pair
William Langland

William Langland

c. 1332 – c. 1400 (~68)
1 live poem · English

In the shadowed valleys and rolling hills of fourteenth-century England, where the echoes of the Black Death still lingered and the stirrings of social upheaval brewed like storm clouds over the Malvern Hills, a poet named William Langland emerged as one of the most profound voices of the Middle Ages. Born around 1332 in the West Midlands—likely in or near Cleobury Mortimer in Shropshire, or perhaps the nearby Malver…

Neighbourhood: Devotional Poets, Medieval Poets, Mystical & Spiritual Poets, Social Justice Poets
Emotional landscape: Spirituality, Wonder, Peace
William Barnes

William Barnes

22 February 1801 – 7 October 1886 (~85)
1 live poem · English

In the gentle folds of Dorset's Blackmore Vale, where the River Stour meanders through meadows fringed with ancient oaks and the air hums with the songs of larks and the lowing of cattle, a voice arose that would forever capture the heartbeat of rural England. William Barnes, born on February 22, 1801, at Rushay Farm in the hamlet of Bagber near Sturminster Newton, emerged from humble farming stock to become one of t…

“The beautiful in Nature is the unmarred result of God's first creative or forming will, and the beautiful in Art is the result of an unmistaken working of man in accordance with the beautiful in Nature.”

Neighbourhood: Folk & Ballad Poets, Nature Poets, Victorian Poets
Emotional landscape: Peace, Joy, Tenderness

In time

William Langland
William Barnes
1332 1886
Their lives did not overlap. 401 years separate the earlier death from the later birth.

On the map

About 162 km separate Cleobury Mortimer, Shropshire, England from Bagber, Dorset, England. Both have ground in England.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

No overlapping top terms in the poem critiques — any kinship may sit in mood rather than vocabulary.

William Langland only

William Barnes only

From the biographies

William Langland: west midlands, cleobury mortimer, malvern hills, the vision of piers plowman, alliterative poetry, hundred years' war, black death, peasant's revolt. William Barnes: dorset, blackmore vale, rural life in the dorset dialect, julia miles, thomas hardy, the honest thief, hwomely rhymes, my orcha'd in linden lea.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

Piers the Plowman
William Langland
72%
Compare
My Orcha'd in Linden Lea
William Barnes

The world around them

Emotional landscapes

William Langland: Spirituality, Wonder, Peace. William Barnes: Peace, Joy, Tenderness.

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