Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Alexander Scott, born about 1525 and probably dead about 1584, occupies an intriguing place in the history of Scottish poetry: he is neither as monumental a figure as William Dunbar nor as internationally famous as Robert Burns, yet his surviving work gives him a distinctive and memorable voice among the later Scottish makars. He wrote at a moment when older medieval literary customs were being tested by religious re…
In the twilight of the Elizabethan age, as the Renaissance bloomed in England with a brilliance rivaling that of Florence or Venice, a quiet, introspective composer emerged from the Suffolk countryside to leave an indelible mark on the history of English music. John Wilbye, born in 1574 and passing in 1638, was not a flamboyant courtier, nor a prolific pamphleteer, nor even a widely traveled virtuoso. He was, rather,…
Alexander Scott:
scottish makar, mary queen of scots, new year gift, older scots, rough wooing, battle of pinkie, courtly love, edinburgh.
John Wilbye:
diss, finch family, sir thomas finch, eastwell park, the first set of english madrigals, sweet honey-sucking bees, lady, when i behold the roses sprouting, the second set of madrigals.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.