Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Alexander Scott, born about 1525 and probably dead about 1584, occupies an intriguing place in the history of Scottish poetry: he is neither as monumental a figure as William Dunbar nor as internationally famous as Robert Burns, yet his surviving work gives him a distinctive and memorable voice among the later Scottish makars. He wrote at a moment when older medieval literary customs were being tested by religious re…
John Bennet, born probably around 1575 and last securely active in 1614, occupies a distinctive if elusive place in the cultural history of Elizabethan and Jacobean England. He is frequently described as a poet because his finest music is inseparable from the language it sets, but the surviving evidence identifies him principally as a composer: a writer of madrigals and psalm settings whose art depended upon an excep…
Alexander Scott:
scottish makar, mary queen of scots, new year gift, older scots, rough wooing, battle of pinkie, courtly love, edinburgh.
John Bennet:
elizabethan england, jacobean england, madrigals to foure voyces, weeping eyes, thomas morley, john wilbye, john dowland, ralph assheton.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.