Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
In the flickering light of Elizabethan England, where the flames of religious persecution cast long shadows over the realm of Queen Elizabeth I, Robert Southwell stands as one of the most compelling figures in English literary and spiritual history. Born around 1561 and executed in 1595 at the tender age of thirty-three or thirty-four, Southwell was at once a Jesuit priest risking everything for his faith, a clandest…
In the bustling, ink-stained alleys of late Elizabethan and early Jacobean London, where the clatter of printing presses mingled with the cries of street hawkers and the murmur of poets reciting in tavern corners, there lived a man whose name is rarely whispered in the same breath as Shakespeare, Dowland, or Morley — yet whose fingerprints are pressed indelibly into the pages of English literary and musical history.…
They overlapped for 31 years (1565–1595).
When William Barley was born, Robert Southwell was about 4.
William Barley was about 30 when Robert Southwell died.
Robert Southwell:
norfolk, jesuit priest, the burning babe, counter-reformation, tyburn, richard southwell, bridget copley, leonard lessius.
William Barley:
elizabethan london, john dowland, the pathway to music, a new booke of tabliture, the whole booke of psalmes, a new book of new madrigals and songs, metrical psalms, thomas morley.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.