Joshua Sylvester, born in 1563 and dead on 28 September 1618, occupied an unusual and important place in the literary culture of Elizabethan and Jacobean England. He was neither a university poet in the manner of many learned writers nor a wholly court-dependent figure; he was a merchant, a translator, a religious poet, a public panegyrist, a husband and father, and, for a time, a servant of the royal household. His…
Neighbourhood:
Devotional Poets, Elizabethan Poets, Hymn Writers, Mystical & Spiritual Poets, Renaissance Poets
Emotional landscape: Tenderness, Longing, Spirituality
In the golden twilight of Elizabeth I's reign, when England's cultural confidence soared as high as her naval ambitions, there emerged a composer whose melodies would capture the very essence of Renaissance joy and melancholy. Thomas Morley, born around 1557 in the bustling city of Norwich, would become the architect of England's madrigal tradition and one of the most influential musicians of his generation. His life…
“Most of our churchmen, so they can cry louder in their choir than their fellows, care for no more, whereas by the contrary they ought to study how to vowel and sing clean, expressing their words with devotion and passion.”
Neighbourhood:
Elizabethan Poets, Lute-Song Composers
Emotional landscape: Sensuality, Irony, Joy
Themes they return to
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
No overlapping top terms in the poem critiques — any kinship may sit in mood rather than vocabulary.
From the biographies
Joshua Sylvester:
merchant adventurer, guillaume de salluste, du bartas, divine weekes and workes, henry iv of france, adrian à saravia, william plumbe, protestant culture.
Thomas Morley:
norwich, william byrd, canzonets to three voices, madrigals to four voices, april is in my mistress' face, balletts to five voices, now is the month of maying, st. paul's cathedral.