John Webster, born around 1580 and probably dead by about 1632, occupies a singular place in English Renaissance drama. He is remembered above all as the author of The White Devil and The Duchess of Malfi, tragedies whose violent plots, dense imagery, and moral unease have made them enduring fixtures of the theatrical canon. Yet the familiar image of Webster as a solitary poet of skulls, stranglings, poison, and corr…
“A great part of the grace of this, I confess, lay in action; yet can no action ever be gracious, where the decency of the language, and ingenious structure of the scene, arrive not to make up a perfect harmony.”
Neighbourhood:
Death & Mortality, Dramatic Poets, Elizabethan Poets, Renaissance Poets
Emotional landscape: Sorrow, Despair, Irony
In the twilight years of Elizabeth I's reign, when England stood poised between the medieval world and the dawning age of Shakespeare, a composer emerged whose voice would capture the profound melancholy and spiritual yearning of a nation in transition. John Ward, born around 1571 and departing this world in 1638, represents one of the most compelling yet enigmatic figures in the pantheon of English Renaissance music…
“No Science carries so sufficient authority in itself, but must needs submit to that Monster Opinion, half truth, half falsehood.”
Neighbourhood:
Elizabethan Poets, Lute-Song Composers, Renaissance Poets
Emotional landscape: Sorrow, Despair, Longing
