Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
George Orwell, born Eric Arthur Blair on June 25, 1903, in the small town of Motihari in the Bengal Presidency of British India, emerged as one of the twentieth century’s most piercing literary voices. Though often remembered first as a novelist and essayist whose works dissected totalitarianism, social injustice, and the hypocrisies of power, Orwell began his writing life with poetry. Those early verses, lyrical yet…
“Good prose is like a window pane.”
Neighbourhood:
Modernist Poets, Political Poets, Social Justice Poets
Howard Phelps Putnam was born in 1894 in Allston, Massachusetts, then a distinctly suburban and semi-rural part of Boston, and died on July 3, 1948, in Jamaica Plain. He belonged to the generation of American writers formed between the confident cultural inheritance of the nineteenth century and the disillusioning modernity of the First World War. His reputation never became as large as those of several Yale contempo…
Neighbourhood:
American Poets, Death & Mortality, Love Poets, Modernist Poets, Nature Poets
They overlapped for 46 years (1903–1948).
When George Orwell was born, Howard Phelps Putnam was about 9.
George Orwell was about 45 when Howard Phelps Putnam died.
About 11,985 km separate
Motihari, Bengal, India from
Boston, Massachusetts, USA.
Different countries, different weather — unless a poem carries one landscape into the other.
George Orwell:
motihari, bengal presidency, richard walmesley blair, ida mabel blair, st cyprian's, burma, down and out in paris and london, the road to wigan pier.
Howard Phelps Putnam:
allston, massachusetts, jamaica plain, trinc, the five seasons, the earthly comedy, harvard, massachusetts, skull and bones, stephen vincent benét.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.