John Ford, baptized on 17 April 1586 and last securely documented in 1639, was one of the most daring and emotionally penetrating dramatists of England’s late Renaissance. Although he is commonly remembered as a playwright rather than as a poet in the narrower sense, poetry is inseparable from his dramatic achievement. His finest plays are built from a grave, musical, concentrated blank verse that gives private suffe…
“Importunity of others, or opinion of mine own, hath not urged on any confidence of running the hazard of a censure.”
Neighbourhood:
Cavalier Poets, Death & Mortality, Devotional Poets, Dramatic Poets, Love Poets, Metaphysical Poets, Renaissance Poets
Emotional landscape: Longing, Wonder, Sorrow
John Webster, born around 1580 and probably dead by about 1632, occupies a singular place in English Renaissance drama. He is remembered above all as the author of The White Devil and The Duchess of Malfi, tragedies whose violent plots, dense imagery, and moral unease have made them enduring fixtures of the theatrical canon. Yet the familiar image of Webster as a solitary poet of skulls, stranglings, poison, and corr…
“A great part of the grace of this, I confess, lay in action; yet can no action ever be gracious, where the decency of the language, and ingenious structure of the scene, arrive not to make up a perfect harmony.”
Neighbourhood:
Death & Mortality, Dramatic Poets, Elizabethan Poets, Renaissance Poets
Emotional landscape: Sorrow, Despair, Irony
