Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Charles Webbe, whose life is usually dated approximately from 1650 to about 1680, occupies a small but intriguing place in the history of English Restoration poetry. He is remembered less through a substantial published body of work than through a handful of lyrics and, above all, through the persistent afterlife of one forceful poem of love and emotional extremity. The uncertainty surrounding even the spelling of hi…
Ealhswith of Mercia, conventionally assigned the dates c. 920–c. 970, cannot responsibly be presented as a historical poet. No surviving charter, chronicle, genealogy, monastic record, manuscript inscription, or near-contemporary literary testimony identifies a woman of that name as the author of The Wife’s Lament or of any other Old English poem. The name “Ealhswith of Mercia,” together with the narrative of an exil…
Neighbourhood:
Devotional Poets, Medieval Poets, Women Poets
Charles Webbe:
restoration poetry, more love or more disdain, against indifference, emotional extremity, thirty years' war, commonwealth and protectorate, charles ii, henry purcell.
Ealhswith of Mercia:
mercian, the wife's lament, exeter book, anglo-saxon, tenth-century england, edward the elder, æthelstan, exile.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.