Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Herbert Gorman
Edmund William Gosse
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Herbert Sherman Gorman entered the world in 1893 in Springfield, Massachusetts, a bustling industrial city nestled along the Connecticut River, where the hum of factories and the clang of railroads shaped the rhythms of daily life. Though the precise day of his birth remains unrecorded in many accounts, his arrival coincided with an America on the cusp of modernity, one foot still planted in the Victorian era and the…
“She turned the eyes of her spirit inward and led an intense life.”
Edmund William Gosse occupies a peculiar and fascinating position in the landscape of English literature. Neither wholly a major poet nor a minor footnote, he exists instead as a crucial connector, a literary ambassador who bridged the austere certainties of Victorian England with the modernist experiments of the twentieth century. Born on September 21, 1849, in London, and dying on May 16, 1928, in the same city, Go…
“The secret of successful fiction is a continual slight novelty.”
About 5,382 km separate Springfield, Massachusetts, USA from London, England. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Herbert Gorman: springfield massachusetts, new york city, jean wright gorman, the barcarole of james smith, the procession of masks, the peterborough anthology, james joyce, a passage to india. Edmund William Gosse: london, philip henry gosse, emily bowes, on viol and flute, king erik, pre-raphaelites, henrik ibsen, father and son.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Herbert Gorman: Despair, Sorrow, Longing. Edmund William Gosse: Tenderness, Peace, Longing.
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