Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Thomas Lovell Beddoes
Thomas Nashe
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Thomas Lovell Beddoes was born on 30 June 1803 at Clifton, then a fashionable suburb near Bristol, and died at Basel, Switzerland, on 26 January 1849. He occupies an unusual and enduring position in English literature: neither comfortably Romantic nor Victorian, neither wholly a poet nor wholly a dramatist, neither merely a physician nor merely an eccentric amateur of science. His work belongs to the dark afterlife o…
“I am a poet, and therefore I am a liar.”
Thomas Nashe, baptized on 26 November 1567 and probably born shortly before that date in Lowestoft, Suffolk, was one of the most brilliant, abrasive, inventive, and precarious figures of the English Renaissance. He died sometime after 1599 and is conventionally assigned a death date of about 1601, though the circumstances and exact date remain unknown. In a life that appears to have lasted little more than three deca…
“The Sun shineth as well on the good as the bad: God from on high beholdeth all the workers of iniquity, as well as the upright of heart.”
About 319 km separate Bristol, England from Lowestoft, Suffolk, England. Both have ground in England.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Thomas Lovell Beddoes: clifton, bristol, basel, humphry davy, maria edgeworth, the improvisatore, the brides’ tragedy, death’s jest-book. Thomas Nashe: lowestoft, william nashe, janet nashe, the anatomy of absurdity, pierce penniless, a litany in time of plague, martin marprelate controversy, university wits.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Thomas Lovell Beddoes: Longing, Sorrow, Despair. Thomas Nashe: Despair, Sorrow, Fear.
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