A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler life, without the hassle of being online. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit the life I want.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Francis Beaumont Francis Beaumont

Poet B

John Webster John Webster
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Strongly related
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 74% Blended 74%
Swap sides Another related pair
Francis Beaumont

Francis Beaumont

1584 – 6 March 1616 (~32)
1 live poem · English

Francis Beaumont was born in 1584, probably at Grace-Dieu, the Beaumont family’s estate near Thringstone in Leicestershire, and died in London on 6 March 1616. His life was brief even by the hazardous standards of the early seventeenth century, but his literary afterlife has been exceptionally long. As a poet, satirist, comic experimenter, and—above all—dramatist, he helped to shape the distinctive sound and structur…

“What things have we seen Done at the Mermaid! heard words that have been So nimble and so full of subtle flame As if that every one from whence they came Had meant to put his whole wit in a jest, And resolved to live a fool the rest Of his dull life.”

Neighbourhood: Dramatic Poets, Elizabethan Poets, Light Verse Poets, Love Poets, Renaissance Poets
Emotional landscape: Irony, Anger, Sorrow
John Webster

John Webster

c. 1580 – c. 1632 (~52)
1 live poem · English

John Webster, born around 1580 and probably dead by about 1632, occupies a singular place in English Renaissance drama. He is remembered above all as the author of The White Devil and The Duchess of Malfi, tragedies whose violent plots, dense imagery, and moral unease have made them enduring fixtures of the theatrical canon. Yet the familiar image of Webster as a solitary poet of skulls, stranglings, poison, and corr…

“A great part of the grace of this, I confess, lay in action; yet can no action ever be gracious, where the decency of the language, and ingenious structure of the scene, arrive not to make up a perfect harmony.”

Neighbourhood: Death & Mortality, Dramatic Poets, Elizabethan Poets, Renaissance Poets
Emotional landscape: Sorrow, Despair, Irony

In time

Francis Beaumont
John Webster
1580 1632
They overlapped for 33 years (1584–1616). When Francis Beaumont was born, John Webster was about 4. John Webster was about 36 when Francis Beaumont died.

On the map

About 166 km separate Grace Dieu, Leicestershire, England from London, England. Both have ground in London.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

No overlapping top terms in the poem critiques — any kinship may sit in mood rather than vocabulary.

From the biographies

play plays london

Francis Beaumont: grace-dieu, thringstone, leicestershire, john fletcher, ben jonson, the woman hater, the knight of the burning pestle, inner temple. John Webster: the white devil, the duchess of malfi, london, merchant taylors' company, thomas dekker, jacobean tragedy, red bull theatre, blackfriars theatre.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

Now fie on foolish love
Francis Beaumont
74%
Compare
Vanitas Vanitatum
John Webster

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Francis Beaumont: Irony, Anger, Sorrow. John Webster: Sorrow, Despair, Irony.

Skip to main content