Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Louis MacNeice
Lascelles Abercrombie
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Louis MacNeice was born on 12 September 1907 in Belfast, the youngest child of John Frederick MacNeice and Elizabeth Margaret Clesham. His father was a Church of Ireland clergyman who would later become a bishop, and the family moved shortly after Louis's birth to Carrickfergus, on the northern shore of Belfast Lough, where the boy grew up in the rectory beneath the squat Norman keep of the castle. It was an apparent…
“The poet is a maker, not a retail trader.”
In the verdant countryside of Victorian England, on January 9, 1881, a voice was born that would become one of the most distinctive—and contentious—in early twentieth-century British poetry. Lascelles Abercrombie arrived into a world still enchanted by Tennyson's melodies and Browning's dramatic monologues, yet he would live to witness the seismic upheavals of modernism, two world wars, and the transformation of poet…
“No poet will ever take the written word as a substitute for the spoken word; he knows that it is on the spoken word, and the spoken word only, that his art is founded.”
About 270 km separate Belfast, Northern Ireland from Ashton-upon-Mersey, Cheshire, England. Both have ground in London.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Louis MacNeice: belfast, carrickfergus, william macneice, mary ezra, autumn journal, snow, letters from iceland, the dark tower. Lascelles Abercrombie: victorian england, ashton-upon-mersey, catherine gwatkin, interludes and poems, georgian poetry, dymock poets, emblems of love, the sale of st. thomas.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Louis MacNeice: Fear, Longing, Despair. Lascelles Abercrombie: Despair, Sorrow, Irony.
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