Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Elinor Wylie
Louis Untermeyer
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Elinor Wylie, born Elinor Morton Hoyt on 7 September 1885 in Somerville, New Jersey, belonged to an American generation that inherited Victorian social codes yet came of age amid modernism, women’s expanding public ambitions, war, cosmopolitan travel, and changing ideas of artistic freedom. She would become known as one of the most distinctive lyric poets of the 1920s: a writer of polished, compressed, often formally…
“I have never published anything—never tried to, until the last few weeks.”
In the sprawling landscape of twentieth-century American letters, few figures cast as long or as peculiar a shadow as Louis Untermeyer. Born on October 1, 1885, in New York City, and dying ninety-two years later on December 18, 1977, in Newtown, Connecticut, Untermeyer occupied a unique position in American cultural life. He was not primarily remembered as a great poet himself, though he published volumes of verse. H…
“Art itself is nothing more than a reaction to as well as a record of the things one loves or hates, and criticism is merely an annotated explanation of these likes and dislikes.”
About 53 km separate Somerville, New Jersey, USA from New York City, New York, USA. Both have ground in New York City and New York.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Elinor Wylie: somerville, new jersey, nets to catch the wind, velvet shoes, wild peaches, black armour, horace wylie, philip hichborn. Louis Untermeyer: new york city, newtown, connecticut, modern american poetry, harriet monroe, ezra pound, t.s. eliot, carl sandburg, robert frost.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Elinor Wylie: Wonder, Irony, Joy. Louis Untermeyer: Despair, Sorrow, Longing.
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