In the heart of nineteenth-century American letters stands a figure who defied easy categorization, a man who straddled two seemingly incompatible worlds with remarkable grace. Edmund Clarence Stedman, born on October 8, 1833, in Hartford, Connecticut, would become known as the "Bard of Wall Street," a sobriquet that captured both the paradox and the peculiar achievement of his life. For forty-five years, he navigate…
“No work of art has real import, none endures, unless the maker has something to say.”
Neighbourhood:
American Poets, Edwardian Poets, Light Verse Poets, Victorian Poets
Emotional landscape: Sorrow, Tenderness, Longing
In the sprawling landscape of twentieth-century American letters, few figures cast as long or as peculiar a shadow as Louis Untermeyer. Born on October 1, 1885, in New York City, and dying ninety-two years later on December 18, 1977, in Newtown, Connecticut, Untermeyer occupied a unique position in American cultural life. He was not primarily remembered as a great poet himself, though he published volumes of verse. H…
“Art itself is nothing more than a reaction to as well as a record of the things one loves or hates, and criticism is merely an annotated explanation of these likes and dislikes.”
Neighbourhood:
American Poets, Light Verse Poets, Modernist Poets, Social Justice Poets
Emotional landscape: Despair, Sorrow, Longing
