A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Orrick Johns Orrick Johns

Poet B

Arthur Symons Arthur Symons
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Kindred spirits
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 70% Poems 83% Blended 76%
Swap sides Another related pair
Orrick Johns

Orrick Johns

2 June 1887 – 8 July 1946 (~59)
2 live poems · English

Orrick Glenday Johns occupies a curious and fascinating position in American literary history. He was neither fully absorbed into the canon of the great modernists nor forgotten entirely by literary historians. Instead, he stands at the threshold between the nineteenth-century poetic tradition and the restless experimentation of the early twentieth century. His life and work reflect a moment of transition in American…

Neighbourhood: American Poets, Imagist Poets, Modernist Poets, Political Poets, Social Justice Poets
Emotional landscape: Sorrow, Despair, Irony
Arthur Symons

Arthur Symons

28 February 1865 – 22 January 1945 (~80)
23 live poems · English

Arthur Symons was born on 28 February 1865 at Milford Haven, Pembrokeshire, Wales, into a household shaped by religious discipline, frequent movement, and intellectual aspiration. He was the son of the Reverend Arthur Symons, a Wesleyan Methodist minister, and Mary Ann Symons. His father’s ministry required the family to move from place to place, and the boy’s childhood was therefore less rooted in one local communit…

“Have you ever thought of the frightful thing it is to shift one's centre? That is what it is to love a woman.”

Neighbourhood: Decadent Poets, Edwardian Poets, Symbolist Poets, Victorian Poets
Emotional landscape: Longing, Sorrow, Wonder

In time

Orrick Johns
Arthur Symons
1865 1946
They overlapped for 59 years (1887–1945). When Orrick Johns was born, Arthur Symons was about 22. Orrick Johns was about 58 when Arthur Symons died.

On the map

About 5,906 km separate Sturgis, Michigan, USA from Milford Haven, Pembrokeshire, Wales. Different countries, different weather — unless a poem carries one landscape into the other.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

From the biographies

Orrick Johns: sturgis, michigan, asphalt and other poems, university of michigan, romantic tradition, lyric sensitivity, modern urban life, philosophical reflection, nineteenth-century tradition. Arthur Symons: milford haven, wales, reverend arthur symons, days and nights, silhouettes, london literary life, rhymers' club, w. b. yeats.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

The Mad Woman
Orrick Johns
75% world
Compare
The Blind Beggar
Arthur Symons
The Mad Woman
Orrick Johns
74% woman
Compare
In the Oratory
Arthur Symons
The Mad Woman
Orrick Johns
74% woman
Compare
In an Omnibus
Arthur Symons
The Mad Woman
Orrick Johns
74% woman, world
Compare
Maquillage
Arthur Symons
The Mad Woman
Orrick Johns
73% life
Compare
L'Amour Par Terre
Arthur Symons
The Mad Woman
Orrick Johns
73% world
Compare
Love in Dreams
Arthur Symons

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Orrick Johns: Sorrow, Despair, Irony. Arthur Symons: Longing, Sorrow, Wonder.

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