A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Edna St. Vincent Millay Edna St. Vincent Millay

Poet B

Felicia Dorothea Hemans Felicia Dorothea Hemans
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Kindred spirits
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 75% Poems 89% Blended 82%
Swap sides Another related pair
Edna St. Vincent Millay

Edna St. Vincent Millay

22 February 1892 – 19 October 1950 (~58)
100 live poems · English

Edna St. Vincent Millay was born on 22 February 1892 in Rockland, Maine, and died on 19 October 1950 at her home in Austerlitz, New York. During her lifetime she became one of the most visible and commercially successful poets in the United States: a Pulitzer Prize winner, a celebrated public reader, a playwright, a lyricist, a political writer, and an emblem of the modern, sexually independent “New Woman.” Her fame…

“A person who publishes a book appears willfully in public, and cannot expect to be treated as if he were a private individual.”

Neighbourhood: American Poets, Confessional Poets, Dramatic Poets, Love Poets, Political Poets, Women Poets
Emotional landscape: Longing, Sorrow, Despair
Felicia Dorothea Hemans

Felicia Dorothea Hemans

25 September 1793 – 16 May 1835 (~42)
11 live poems · English

Felicia Dorothea Hemans, born Felicia Dorothea Browne on 25 September 1793 and dead on 16 May 1835, was among the most celebrated poets of the early nineteenth century. In her lifetime she was read with an enthusiasm now difficult to imagine: her poems circulated throughout Britain, Ireland, the United States, and the British Empire; they appeared in annuals, schoolbooks, anthologies, newspapers, and domestic parlors…

“O this waveless horizon — how it wearies the eye accustomed to the sweeping outline of mountain scenery!”

Neighbourhood: Devotional Poets, Nature Poets, Romantic Poets, Women Poets
Emotional landscape: Longing, Tenderness, Sorrow

In time

Edna St. Vincent Millay
Felicia Dorothea Hemans
1793 1950
Their lives did not overlap. 57 years separate the earlier death from the later birth.

On the map

About 4,780 km separate Rockland, Maine, USA from Liverpool, England. Different countries, different weather — unless a poem carries one landscape into the other.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

From the biographies

woman women

Edna St. Vincent Millay: rockland, maine, austerlitz, new york, pulitzer prize, renascence, caroline b. dow, vassar college, greenwich village, a few figs from thistles. Felicia Dorothea Hemans: liverpool, gwrych, abergele, casabianca, the forest sanctuary, modern greece, the sceptic, dartmoor prison.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

What lips my lips have kissed
Edna St. Vincent Millay
81% life
Compare
I Go, Sweet Friends!
Felicia Dorothea Hemans
Elegy
Edna St. Vincent Millay
81% life
Compare
I Go, Sweet Friends!
Felicia Dorothea Hemans
Spring
Edna St. Vincent Millay
80% beauty, life, world, flowers
Compare
Bring Flowers
Felicia Dorothea Hemans
Elegy before Death
Edna St. Vincent Millay
80% world, nature, dead, life
Compare
Bring Flowers
Felicia Dorothea Hemans
Ebb
Edna St. Vincent Millay
80% love
Compare
I Go, Sweet Friends!
Felicia Dorothea Hemans
Elegy before Death
Edna St. Vincent Millay
80% life
Compare
I Go, Sweet Friends!
Felicia Dorothea Hemans

The world around them

Emotional landscapes

Edna St. Vincent Millay: Longing, Sorrow, Despair. Felicia Dorothea Hemans: Longing, Tenderness, Sorrow.

Compare their emotional landscapes
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