AABBA poem

Form
Pronunciation

Understanding ARPABET Pronunciation

Want to hear it? Click the Listen button to hear the browser speak the word using text-to-speech!

The pronunciation guide uses the ARPABET phonetic system—the same system used in speech recognition and text-to-speech applications.

Vowel Examples:
AE1 = cat, bat
EH1 = bed, head
IY1 = see, me
OW1 = go, boat
UW1 = boot, do
Stress Numbers:
0 = no stress (unstressed)
1 = primary stress (loud)
2 = secondary stress (medium)
Example:
AH0 TH IY1 N AH0
= a-THEE-na (Athena)

The stressed syllable (marked with 1) is pronounced louder and clearer than others.

Quick Definition

A five-line stanza with the rhyme scheme AABBA, typically used in limericks and characterized by witty or humorous content and a distinctive rhythmic bounce.

Detailed Definition
AABBA poem refers to a five-line stanzaic form where the rhyme scheme follows the pattern A-A-B-B-A, commonly associated with the limerick but also used in other lyrical or narrative contexts; this structure creates a sense of closure through the return of the initial rhyme in the final line, often reinforcing thematic or tonal resolution, and is frequently employed in humorous or light verse but can also appear in more serious poetic expressions when adapted creatively.
Example
Example in poetry:
A classic limerick: "There once was a man from Peru / Who dreamed he was eating his shoe / He awoke with a fright / In the middle of night / And found that his dream had come true"; Edward Lear’s "There was an Old Man with a beard / Who said, 'It is just as I feared! / Two Owls and a Hen, / Four Larks and a Wren, / Have all built their nests in my beard!'"; "There was a young lady from Ryde / Who smiled as she strolled on the tide / But the tide it rushed in / And took her for a spin / And she hasn’t been seen since that ride"; "There was an old person of Dean / Who dined on one pea and one bean / But said, 'If I eat / Any more, I shall beat / The whole family quite out of spleen!'"
Additional Notes
The AABBA poem is most famously used in limericks; it typically features anapestic meter and a humorous or absurd twist in the final line—ideal for practicing rhyme discipline and comedic timing in verse.
Also Known As
Skip to main content