A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Acesis

Prosody
Pronunciation

Understanding ARPABET Pronunciation

Want to hear it? Click the Listen button to hear the browser speak the word using text-to-speech!

The pronunciation guide uses the ARPABET phonetic system—the same system used in speech recognition and text-to-speech applications.

Vowel Examples:
AE1 = cat, bat
EH1 = bed, head
IY1 = see, me
OW1 = go, boat
UW1 = boot, do
Stress Numbers:
0 = no stress (unstressed)
1 = primary stress (loud)
2 = secondary stress (medium)
Example:
AH0 TH IY1 N AH0
= a-THEE-na (Athena)

The stressed syllable (marked with 1) is pronounced louder and clearer than others.

Quick Definition

A rare prosodic term referring to a metrical irregularity or relaxation in rhythm, allowing a temporary deviation from strict metrical patterns in verse.

Detailed Definition
Acesis describes a subtle loosening of metrical constraints in poetry, where the rhythm eases to mimic natural speech or emotional flow, often appearing in transitional lines to build tension or release. In classical Greek and Latin poetry, it provided poets like Pindar with flexibility to emphasize thematic shifts, preventing monotony and enhancing the organic feel of odes; modern poets use it to blend formal structure with conversational intimacy, as in free verse adaptations, underscoring prosody's role in conveying human variability and emotional depth through sound.
Example
Example in poetry:
In Pindar's odes, acesis allows a temporary relaxation of dactylic rhythm in the antistrophe to mirror the athlete's triumphant ease after tension; A modern poet might use acesis in free verse to soften a line's iambic flow, evoking a sigh of relief in a narrative of loss; In Sappho's fragments, acesis eases the strict aeolic meter for emotional release, emphasizing longing; For educational purposes, compose a line like "The storm breaks, and the waves / soften in sudden calm" where the second line relaxes stress for acesis; In Elizabethan sonnets, acesis appears subtly to blend formal structure with personal confession.|In Gerard Manley Hopkins' sprung rhythm, acesis interrupts counterpointing stresses to heighten spiritual ecstasy, as in "Pied Beauty"; A beginner poet could apply acesis by varying syllable count mid-stanza, creating rhythmic breathing room in descriptive nature poetry; In ancient Greek choral lyrics, acesis provides metrical flexibility during transitions between strophe and epode.
Additional Notes
For poetry students, acesis offers a way to introduce subtle rhythmic flexibility in otherwise strict meters, much like a musical ritardando, allowing the poem's pace to breathe and reflect emotional shifts; it's particularly useful in odes or elegies where tension builds then releases, related to concepts like substitution or anacrusis for metrical variation; professors might explore its roots in Hellenistic prosody, where it prevented rhythmic monotony in long choral pieces, and tip: when scanning, look for lines where syllable count dips without catalexis to identify acesis's gentle deviation, enhancing analysis of how prosody mirrors psychological states in works like Keats' odes.
Also Known As
healing process therapeutic art curative poetry
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