The Presocratic concept of arche — the primary
substance or principle from which all things
arise — has inspired poets to seek
elemental origins: Empedocles' four archai (earth, water, fire, air) underlie much nature poetry and are explicitly invoked by poets from
Lucretius to Ted
Hughes; In Heidegger's reading of Anaximander, the arche is not a substance but an originary opening from which beings emerge, and this concept underwrites the
poetics of origin found in poets like Celan and Heaney, for whom language itself becomes a primary ground;
A poet beginning a long poem might philosophically situate the act of beginning as a confrontation with arche — the question of where to start is also the question of what grounds
existence — making the poem's opening a meditation on origins; Yeats's mythological system in "A Vision" seeks the arche of historical cycles, the originary gyres from which all cultural forms emerge and into which they return; Water as arche (Thales) appears throughout poetry about origins — birth poems, poems about the sea, poems about amnion — where elemental water functions as the philosophical ground of life;
The search for arche in contemporary poetry often takes the form of etymological exploration,
digging back to the roots of words to find the primal meaning from which centuries of usage have departed