A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



bondsman

Archaic Terms
Pronunciation

Understanding ARPABET Pronunciation

Want to hear it? Click the Listen button to hear the browser speak the word using text-to-speech!

The pronunciation guide uses the ARPABET phonetic system—the same system used in speech recognition and text-to-speech applications.

Vowel Examples:
AE1 = cat, bat
EH1 = bed, head
IY1 = see, me
OW1 = go, boat
UW1 = boot, do
Stress Numbers:
0 = no stress (unstressed)
1 = primary stress (loud)
2 = secondary stress (medium)
Example:
AH0 TH IY1 N AH0
= a-THEE-na (Athena)

The stressed syllable (marked with 1) is pronounced louder and clearer than others.

Quick Definition

A person held in bondage or servitude; a serf or slave; also a person who stands as surety for another's obligations.

Detailed Definition
Bondsman derives from "bond" (from Old Norse "bóndi," a householder and farmer, later acquiring the meaning of legally bound servitude) and "man," and in its primary poetic usage refers to a person in a condition of unfreedom—whether feudal serfdom, slavery, or debt bondage. The word's alternative meaning—a person who provides a financial guarantee for another—creates a useful ambiguity in poetry between literal servitude and voluntary obligation. Poets of emancipation and liberation from Milton to Whitman deploy bondsman to name the condition against which freedom is defined: to throw off the bondsman's chains is the central gesture of political liberation poetry. The word carries both the specific weight of historical slavery and a broader metaphorical application to any condition of spiritual or creative constraint.
Example
Example in poetry:
Milton uses "bondsman" in his prose and poetry to describe the condition of spiritual and political servitude from which true liberty must be claimed — "the bondsman's chain is heaviest who forgets he wears it"; Shelley's political poetry deploys bondsman to name the condition of the oppressed against which revolutionary liberation is defined: "rise like lions after slumber, ye who are in number many, bondsmen no more"; A poet might contrast the bondsman's condition with the freedom of the pastoral landscape: "the bondsman ploughed another's field, the sky above him free, the earth beneath his feet another man's"; The legal ambiguity of bondsman — it can mean a feudal serf bound to the land, a slave, or a person providing financial surety for another — gives poets flexibility in its deployment across different contexts of obligation and constraint; In elegies for enslaved people, bondsman carries its full historical weight, the legal term that named the condition of millions and which abolitionist poets worked to make morally intolerable; The word's combination of personal identity (man) and legal condition (bond) makes it more humanizing than abstract terms like "serf" or "slave," insisting on the humanity of the person whose freedom has been legally annihilated.
Additional Notes
Bondsman demonstrates the complexity of medieval legal vocabulary and its poetic afterlife. Students should note the word's two distinct meanings: the feudal serf or slave (from Old English "bonda," a householder who has become unfree) and the financial guarantor (from "bond" in its legal sense). This ambiguity is available to poets who want to explore different registers of obligation and constraint simultaneously. The word appears most powerfully in emancipation and liberation poetry — from Milton's political prose through Shelley's "Mask of Anarchy" to abolitionist verse — where its precise legal character gives moral and political arguments their force. Students should compare bondsman with "serf," "villein," and "thrall" to understand the nuanced vocabulary of unfreedom in English literary history. Note also that bondsman's combination of personal identity (man) and legal condition (bond) makes it more humanizing than abstract nouns like "slave" or "serf."
Also Known As
bondman serf villein thrall bond-servant Servant
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