A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



boskage

Archaic Terms
Pronunciation

Understanding ARPABET Pronunciation

Want to hear it? Click the Listen button to hear the browser speak the word using text-to-speech!

The pronunciation guide uses the ARPABET phonetic system—the same system used in speech recognition and text-to-speech applications.

Vowel Examples:
AE1 = cat, bat
EH1 = bed, head
IY1 = see, me
OW1 = go, boat
UW1 = boot, do
Stress Numbers:
0 = no stress (unstressed)
1 = primary stress (loud)
2 = secondary stress (medium)
Example:
AH0 TH IY1 N AH0
= a-THEE-na (Athena)

The stressed syllable (marked with 1) is pronounced louder and clearer than others.

Quick Definition

A mass of trees, shrubs, or undergrowth; thickets of bushes; used in poetry to evoke dense, shadowy vegetation.

Detailed Definition
Boskage (also "boscage") derives from Old French "boscage," from "bosc" (wood), and describes dense thickets or masses of trees and undergrowth. It is a distinctly literary and elevated word, found more often in poetry and poetic prose than in agricultural writing, chosen for its sound and romantic connotations rather than precision. Spenser and Milton use boskage to create the atmosphere of enchanted woodland—the dark, complex, entangling vegetation of romance and allegory, where paths are lost and figures concealed. The word's slightly French character gives it an exotic, courtly flavor that distinguishes it from homelier English words like copse or shaw. In pastoral poetry boskage marks the transition from the open, ordered world of fields into the wilder, more mysterious realm of woodland and its associated dangers and pleasures.
Example
Example in poetry:
Milton's "Comus" is rich in boskage imagery, the dense woodland undergrowth through which the Lady wanders creating an atmosphere of enchantment, danger, and the loss of clear direction — "in the blind mazes of this tangled wood"; Spenser's "Faerie Queene" deploys boskage to create the impenetrable, enchanted woodland of romance allegory, where knights lose their way and moral clarity dissolves into the complexity of the dark thicket; A poet might write "beyond the garden's edge lay boskage, wild and dense, where civilization's geometry gave way to the curved logic of competing growth"; The word's French origin and elevated register distinguish it from homelier English words like "thicket" or "copse," marking a poem as engaging with the courtly, Continental tradition of pastoral romance rather than the English georgic tradition; In contrast to the ordered rows of the cultivated field, boskage represents the alternative principle of nature — complex, tangled, without obvious purpose or direction, beautiful in its excess; Victorian poets used boskage to evoke the lush, slightly threatening vegetation of landscapes that had escaped agricultural order, a counterpoint to the increasingly managed English countryside.
Additional Notes
Boskage is one of the more explicitly literary and self-consciously elevated terms in the pastoral vocabulary, derived from Old French "boscage" (woodland) and carrying a distinctly courtly, Continental flavor that distinguishes it from homelier English alternatives like "thicket" or "copse." Students should note that when poets choose boskage over its alternatives, they are signaling their engagement with the Continental tradition of courtly pastoral romance — the enchanted woodland of Ariosto and Tasso rather than the English hedgerow. Spenser and Milton deploy boskage in their more elaborate and allegorical pastoral passages, while more vernacular poets prefer copse or shaw. The word's sound — the soft initial consonant, the open vowel cluster, the soft ending — creates an atmosphere of lush enclosure that suits the enchanted or dangerous woodland of romance allegory. Students analyzing tone and diction in pastoral verse should attend to the choice between boskage and its alternatives as a signal of the poem's literary register and tradition.
Also Known As
boscage bosk thicket woodland bosquet
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